Conrad Shawcross RA

Within the plane of the Elliptic 2024

Hand-blown glass disc pierced by an anodized aluminium shaft. A Lower Palaeolithic flake c. 450,000 – 300,000 BCE is mounted on its tip, representing the extinction of species left behind by our universe by the axis of time.

58 x 58 x 51 cm

£28,000

“Within the plane of the Elliptic” features a hand-axe from an ancient human species made extinct through historic climate change. The way the flint has been striked through the action of the bulb of percussion has left ripples on the hand-axe – these echo the ripples in the glass disc.”

Conrad Shawcross is a contemporary British sculptor known for his large-scale, thought-provoking installations that blend art with complex concepts from science, mathematics, and philosophy. Born in 1977, Shawcross has developed a distinctive style, utilizing geometric forms and mechanical structures to explore themes like time, space, and the fundamental nature of existence. His works are celebrated for their ability to engage viewers both intellectually and emotionally, encouraging reflection on the unseen forces and principles that shape our universe.

One of Shawcross’s most recognized series, *The Dappled Light of the Sun*, consists of large, metal, tetrahedral structures that interact with natural light, casting intricate shadows on the ground. These sculptures explore ideas of order and chaos, as the shapes—appearing both rigid and organic—shift with light, creating an immersive experience for viewers. Through pieces like this, Shawcross investigates the intersection of logic and intuition, suggesting that complexity and beauty can arise from fundamental mathematical rules. His work is often seen as meditative, inviting viewers to consider the balance between control and unpredictability.

Shawcross’s *Paradigm*, a towering steel structure installed outside the Francis Crick Institute in London, is another iconic example of his approach to sculptural form. Standing over 14 meters tall, *Paradigm* is composed of stacked tetrahedrons that appear to grow upward, tapering as they rise. The structure is a visual metaphor for scientific discovery and progress, representing both the challenges and inspirations that come with pushing boundaries. The piece embodies Shawcross’s interest in how scientific and philosophical inquiries mirror artistic creation—both require curiosity, resilience, and a willingness to confront the unknown.

A key feature of Shawcross’s sculptures is their interactive nature, often encouraging viewers to move around them and observe from different perspectives. This immersive experience allows his art to resonate on multiple levels, as the viewer’s movement alters their perception of each piece. He often employs kinetic elements in his work, making his sculptures appear alive, moving, and even breathing. This dynamic quality brings an added layer of wonder, capturing the impermanence and constant change inherent in natural processes.

Shawcross’s works have been exhibited internationally, from the UK’s Royal Academy to major galleries in Europe and the United States. His pieces can be found in public spaces, private collections, and museums, where they continue to engage audiences with their balance of artistic ingenuity and scientific inspiration. By merging the realms of art and science, Shawcross’s sculptures inspire deeper contemplation of the mysteries that govern the world, making his work both visually striking and intellectually compelling.